Roberto Aizenberg

Escultura

1975
Stamped P/A R. Aizenberg
Bronze
28 3/16 in (72.5 cm)

Roberto Aizenberg, Escultura, 1975

Escultura

1975
Stamped P/A R. Aizenberg
Bronze
29 3/16 in (75 cm)

Roberto Aizenberg, Escultura, 1975

Escultura

1975
Stamped P/A R. Aizenberg
Bronze
27 1/16 in (69 cm)

Stamped P/A R. Aizenberg Bronze 29 3/16 in. (75 cm)

Pintura

Signed, titled and dated 1966-1967 on the reverse
Oil on board
25 1/2 x 25 1/2 in (65 x 65 cm)

Roberto Aizenberg, Pintura, Signed, titled and dated 1966-1967 on the reverse Oil on board 25 1/2 x 25 1/2 in (65 x 65 cm)

Untitled (Torre naranja)

Oil on board
23 1/8 x 13 in (59 x 33 cm)
Painted circa 1980

Roberto Aizenberg, untitled (Torre naranja), Oil on board 23 1/8 x 13 in (59 x 33 cm) Painted circa 1980

Argentine artist Roberto Aizenberg (1928-1996) began his career as a student of Juan Batlle Planas. Drawing from surrealism, automatism, and metaphysical art, Aizenberg eventually formulated a reparatory of images that appear repeatedly in his work, including towers, fans, harlequins, and headless human figures. Aizenberg self-identified as a “neosurrealist” or “para-surrealist” and experimented extensively cross-media, producing paintings, drawings, collages, intaglio prints, and sculptures in bronze and marble.

Bio