Freddy Rodríguez

Untitled

1971
Signed, titled and dated on the reverse
Acrylic on canvas
48 x 54 in (121.9 x 137.2 cm)

Freddy Rodriguez, Untitled, 1971

El cuarto rojo

Signed, titled, and dated 1.12.1973 on the reverse
Acrylic on canvas
18 x 24 in (45.7 x 61 cm)

Freddy Rodriguez, El cuarto rojo, Signed, titled, and dated 1.12.1973 on the reverse Acrylic on canvas 18 x 24 in (45.7 x 61 cm)

Cenizas

1988
60 x 42 in (152.4 x 106.68 cm)

Freddy Rodriguez, Cenizas, 1988,

Windows #3

Signed on the reverse
Signed, titled, and dated March, 1999
Acrylic on canvas
16 1/2 x 14 1/4 in (41.9 x 36.2 cm)

Freddy Rodriguez, Windows #3,Signed on the reverse Signed, titled, and dated March, 1999 Acrylic on canvas 16 1/2 x 14 1/4 in (41.9 x 36.2 cm)

Best Doctors #4

2000
Acrylic on canvas
48 x 36 in (121.92 x 91.44)

Freddy Rodriguez painting, Best Doctors #4, 2000

Alex Rodriguez

Signed and dated lower left, 2007
Title, date, and material on reverse
Tempera and acrylic on paper
11 x 15 in (27.9 x 38.1 cm)

Freddy Rodriguez, Alex Rodriguez,Signed and dated lower left, 2007 Title, date, and material on reverse Tempera and acrylic on paper 11 x 15 in (27.9 x 38.1 cm)

Gold or Investing in Art II

2015
36 x 36 in (91.4 x 91.4 cm)

Freddy Rodriguez, Gold or Investing in Art II

Within his work, Freddy Rodríguez (b.1945, Dominican Republic) fuses conceptual and stylistic elements from New York School painting with Dominican history, Caribbean culture, and transnational issues. He has exhibited widely, and is the subject of a forthcoming monograph by E. Carmen Ramos, which is part of the A Ver: Revisioning Art Historybook series published by the UCLA Chicano Studies Research Center.

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